Video hecho enfocado en el tema del sentir, si significado, de que se trata, el proceso que tiene el sentimiento y cuales son los factores que afectan o provocan el sentir.
Diapositivas realizadas por el equipo 1 de la clase de estética sobre el primer tema del temario, el cuan se centraba en el sentir, el sentimiento, el percibir y la percepción y el cómo estos factores influyen en lo que cada persona cree que es bello o el significado de la belleza para cada persona.
FUNDAMENTAL QUESTIONS IN THE DISCUSSION OF AESTHETICS AND PHILOSOPHY OF ART. CONCEPT OF AESTHETICS. Of Aesthetics, which they define as the science of beauty, they also have a conception of integrative synthesis. Against those who maintain that Aesthetics is that part of Psychology that deals with sensibility and studies, therefore, all phenomena -the problems related to sensations, both internal and external, and to feelings, both pure aesthetic and intellectual and moral-, and against authors such as Baumgarten and Kant, for whom this discipline only deals with the feeling that the perception of the beautiful awakens in us, Álvarez Espino and Góngora Fernández defend that the object of aesthetics is double, and encompasses a subjective and an objective sphere, belonging to analogous orders although they do not correspond to the internal and the external: Álvarez espino, 1870. "This science is presented to us as a true philosophy of art, theory of theories, poetics of poetics, w...
PHENOMENOLOGY. Phenomenology is a philosophical movement that originated during the 20th century and a branch of philosophy that is governed by its precepts, which have to do with the investigation and description of objects (or phenomena) as they are consciously experienced, or that is, as free as possible from theories, presuppositions and preconceptions regarding its origin. Although phenomenology is always difficult to define and complex to characterize, it is possible to identify at the heart of the concept Husserl's idea of going "to things by themselves", that is, devoid of previous reasoning and preconceptions, and try to describe them as as faithfully as possible. This starts from the idea that it is possible to perceive the essential structures of a matter and its essential relationships from the careful study of concrete examples from experience or imagination.
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